j. condino
luthier of mandolin, guitar, & double bass

j. condino luthier of mandolin, guitar, & double bassj. condino luthier of mandolin, guitar, & double bassj. condino luthier of mandolin, guitar, & double bass

j. condino
luthier of mandolin, guitar, & double bass

j. condino luthier of mandolin, guitar, & double bassj. condino luthier of mandolin, guitar, & double bassj. condino luthier of mandolin, guitar, & double bass
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    • Home
    • Mandolins
    • guitars
    • double bass
    • contact
    • For Sale
  • Home
  • Mandolins
  • guitars
  • double bass
  • contact
  • For Sale




History:

Originally  from the village of Condino, Italy  located a nice bicycle ride north of the  historic musical center of Cremona, my family has had continuous  mandolin players for  three centuries.  We don't just play it, we helped create its history and continue the tradition. To the right is my great grandfather, circa 1918. 


Using centuries old  skilled handcraft  combined with modern  technology, I strive to build the finest  sounding, playing, and aesthetic instruments made for the entire mandolin family. Mandolin, mandola, octave mandolin,  & mandocello; currently at #132.


Additionally, I feel a responsibility to pass the traditions down to the next generation of future mandolin builders.  Since 1996, I've taught  students in the art and craft  of mandolin building:  at Oregon State University,  as a featured presenter at  The Guild of American Luthier's Conventions, the Association of String Instrument Artisan's Symposiums, private lessons in my studio, in video and & print in Fine Woodworking Magazine,  American Lutherie Magazine,  Guitarmaker Magazine, and in my column in Mandolin Magazine.

    Mandolin Building Classes

    After two decades of teaching mandolin building to hundreds of students, we've broken the instruction down to  small, manageable classes that focus on specific areas of the build process to maximize student learning and success.

    Carving & Voicing masterclass: 3 days

    Are your tired of spending 200 hours building a mandolin to completion before you string it up only to find out that the voice did not turn out as you hoped? This class is focused on carved top & back instruments using  my modular voicing jig  featured in American Lutherie Magazine and as taught in  Guild of American Luthiers, Association of String Instrument Artisans seminars, and  used at the Oberlin Acoustics workshops.  

    In three days you will carve & brace  a working mandolin top  to traditional Loar specs and then string up and voice that plate live, as well as have the ability to try several different back materials and options.  A fast track that can save you a dozen builds & a decade of struggles in your learning process like no other.


    This is the only place I know where in such a short time you get to hear  and play your actual  top plate as well as try out several different  bracing patterns to understand the voice variations with such a small initial time investment.


    Check out this thread over at the mandolin cafe from former students perspectives:   https://www.mandolincafe.com/forum/threads/138621-6-mandolins-in-2-days 

    Neck joints & dovetails: 1 day

     The dovetail neck joint is the keystone of your whole mandolin build structural integrity. Cutting a traditional mandolin dovetail is one of the more challenging  joints in instrument building. In this workshop we cover multiple common methods of attaching mandolin necks and teach you how to consistently get very precise, strong, positive fitting joints.  This one day will save you countless hours of  challenging frustrations. 

    To the left is a video from a couple of years back featuring our  straight dovetail installation and neck jig.

    Binding masterclass: 2 days

    Great binding work is a  continuous challenge for both new and journeymen builders. This is a two day workshop that takes the confusion and frustration out of binding work . We'll focus on cutting a perfect channel using both traditional hand held cutters and modern power tools to apply natural wood bindings attached with traditional hot hide glue as well as modern materials and adhesives. Take your binding work to the next level!

    Fretwork and setup masterclass: 3 days

    You can build the finest mandolin around or buy the most coveted historic example, but if the fretwork and setup is not excellent, nobody will ever be able to draw out its full potential.  Not just OK or mediocre; setting your mandolin up to the best it possibly can be for ease of playability plus maximum tone & volume. Over three days, we'll cover the bridge, nut, fretwork and the fine points as well as  making a complete new fretted fingerboard off the body the same as we do for our new builds. 

    Side bending, rib garlands, and molds: 2 days

    If your side bending and rib garland has issues, then from day one your build is compromised. We 'll focus on how to  build accurate, easily reproduced sides, blocks, and linings. We'll also  make a set of very accurate, clean molds that will ensure a high level of consistent finished product  while using both traditional bending over a hot pipe as well as modern heat blanket and mechanized systems.


    Get yourself started on a path to greatness with a well executed plan & progression while laying the foundation for  your new mandolin.

    Repair & Restoration Help

    If you have a repair or historic restoration that is  challenging or beyond your skills, contact me for  a private workshop where we'll tackle the project together.  "Fix it for a day or learn to repair it for a lifetime..."

    Hand rubbed traditional finishes: 1 day

    A single day covering  the centuries old traditional hand rubbed  use of color, French polish and spirit varnish  application techniques that produce a fine finish with minimal tools and  no need for a dedicated spray booth and  expensive equipment, as featured in American Lutherie Magazine.

    Spray finishing sunburst finishes: 1 day

    Another popular method of  finishing and adding color and sunbursts to your instruments. We'll use larger commercial spray guns  and also focus on minute detailing with an airbrush. Another must have skill to compliment  your bag of finishing tricks.

    Check out the  spray finishing video that our friends over at Dream Guitars shot a few years back, featuring James and Ken Jones of Mountain Song Guitars.

    1926

    1926 "snakehead" mandolin blueprint

    Featured is my 1926 "snakehead" Gibson  A style mandolin blueprint available from the Guild of American Luthiers, (www.luth.org); a detailed scale plan of an exceptional post Loar period  mandolin. Snakeheads are great sounding & playing mandolins from the golden age and are a perfect platform for learning to build a great mandolin: everything you need,  without  all of the more advanced complications in an F style instrument.

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